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“The Lord loveth a cheerful liver, Moses,” said his mother encouragingly, as she saw the growing acidity of the boy’s countenance. Mrs. Wopp had never forgotten a certain missionary service, during which she had studied a text in gold lettering of old English type on the wall. The uncertain light of stained glass falling on the last word had made it difficult to read. But at last realizing that a sound liver and cheerfulness are closely associated, she had seen no incongruity in her translation of the text.,

A period of silence followed excepting for the slight sounds made by the workers, the drowsy humming of flies, the murmur of an occasional bee and the faint rustlings of the tall stalks of corn.,

THE silence was broken a little later by merry voices on the stairway. For several nights the girls had been gathering in May Nell’s room. Billy knew “things were doing” there by the sounds; the tap, tap of the tack hammer, added to much chatter and rustling. Now May Nell caught him by the hand and pulled him across the hall. A strange pungent fragrance like burning spice, yet not familiar, met them at the door. And inside, the dark hangings full of lurking shadows gave the room a foreign air.,

“Bully for you, Ladybird. I’ve got a backer you see, sister.”

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The Snake Charmer was silenced; for if the children had before this been tired, not one of them now but swelled with pride and fortitude at this praise from Billy.,

All went well for some blocks. There was a flattering audience at each front door; a few honored the pageant by following. These were mostly mothers of the younger children, who knew the possibilities of such an aggregation of animals and boys.,

Her questions brought long and wonderful tales of Billy’s younger life; of Edith when she, too, was a little girl. The child helped to set the table, carried in bread, salad plates, and jelly. “It shakes like the fat woman at the circus when she laughed. How do you make jelly?”,

Zalhambra was a vaudeville artist. His was the star act on each bill. He was undeniably a genius; it needed but a few bars of fortissimo plus crescendo to realize that he was a virtuoso of the first rank. When he played a Rag the audience shouted with delight; but when he sprinkled torrential cadenzas through the dizzying syncopation, like some mighty giant tossing meteors into a handful of fire-crackers, something like an electric shock stirred his hearers.